Top 8. 7 Fonts A Designer Should Download. Fonts for designers are the basic resource. Only if you would take into consideration the typography mania and you have a great argument for the intelligent use of fonts. The web safe fonts seem boring at a certain moment. With @font- face you can insert any font you want in a website and you can give the site a more interesting style. So, let’s say you aren’t a web designer, you are more a graphic designer, you make quality logos and other interesting things.
To all you sad people that so desperately want that Segoe font simply go out and buy Frutiger from Linotype. You’ll find Segoe looks almost identical to Frutiger. Our online tool allows you to create gift cards instantly. Try it today!
You need to have the best fonts for logos, unless you are a pretty exquisite designer and you’re making a custom font for every project you are working on. That being said, check these top fonts for designers, download them cause most of them are free, look for a readme from the author to see where you can use them and maybe buy some of these on the list which are premium fonts. Advent. Anivers. This Open. Type font family comes in regular, italic, bold and small caps and has some nice Open. Type features. Besides ligatures, contextual alternatives, fractions, oldstyle/tabular numerals, Anivers also has a ‘case’ feature for case sensative forms and tabular numerals … so Anivers can crunch numbers with ease.
Densia Sans Typeface. Densia Sans is one of the designer fonts in this article.
Purchase downloadable Adobe Type fonts for commercial use from best online collection. Try fonts from selection of high quality & professional desktop and web fonts.
It is an economic sans serif, designed by Harbor Type to be used in sizes from 6 to 1. Its tall x- height and narrow width make it shine whenever there’s very limited space. Not only it is space- saving, Densia Sans features a complete set of 8. Also, its character set supports over 3. Bebas. Bell Centennial. Designed specifically for AT& T by Matthew Carter at Mergenthaler to replace Bell Gothic with a typeface that made effective use of digital typesetting technology, Bell Centennial has a font design that gets several more lines per page than Bell Gothic, reduces calls to information because of its significantly higher legibility under adverse printing conditions, saving AT& T many millions of dollars per year.
Patient information for PROSPAN COUGH SYRUP Including dosage instructions and possible side effects. Great selection of fonts. And is interesting how you specify the way that these can and are used. A font that i really like that was not included in the sans-serif. 101 Insightful Bits in response to “16 Best-Loved Font Bits In Web Design”. License plate fonts and replicas as used on passenger cars in the United States, Canada, and Mexico. Specimens, analysis, downloads, tips.
Graviola Regular. Graviola is a sans serif typeface with semi- rounded terminals that give it a soft and friendly look. The font family has 8 individual weights, from Thin to Black, italics being in plan to be added in the near future.
Cash. Moderne Sans. Moderne Sans is a clean sans- serif typeface free for you to download, designed by Marius Kempken. Moderne Sans is a free font inspired to 1. This Typeface based on upper case letters, but I creat lower case letters, numbers and some alternative letters too. Coolvetica. Advertisement. Coolvetica is a scratch- built, sans- serif typeface, inspired by 1.
American logo designs. This was an era where everyone was modifying Helvetica with funky curls, mixed- case and effects. Coolvetica recreates that 1.
The tails on the R and a have been left out to allow even tighter spacing. It certainly isn’t intended for setting paragraphs of book text—Coolvetica is a pure display typeface, intended for big, funky headings and titles. Fertigo. Fonesia Free Font. Fonesia family comes in three different variants: Light, Regular and Bold. For this initial release, it still carries a standard glyph: uppercase, lowercase, numbers, punctuation and some symbols.
Shania Script Typeface. Shania Script Typeface is a modern calligraphy script, with free flowing and moving baseline. It has a casual yet elegant touch and it can be used for various purposes, like logos, wedding invites, t- shirts, letterheads, posters, badges and more.
Shania Script Typeface includes 4. Fontin Sans. Fontin Sans was designed to be a suitable sans companion of Fontin. With a nice classical appearance it will be a perfect match. Ikaros Free Typeface.
Ikaros is a free modern and minimal typeface created by Matt Ellis. You can download it and use it in your projects. ITC Franklin Gothic Heavy.
Frutiger. In 1. 96. Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris.
He created Frutiger, a font whose character fit in with the modern architecture of the airport. Frutiger is neither purely constructed nor ornamental, its forms designed so that each individual character is quickly and easily recognized, even from a distance. Such clarity and legibility makes Frutiger the perfect font for signage and other applications, where the distinctness of characters is of high importance. Qontra Sans Serif Font.
Futura. Futura is the fully developed prototype of the twentieth century Geometric Sanserif. The form is ancient, Greek capitals being inscribed by the Cretans twenty- five hundred years ago at the time of Pythagoras in the Gortyn Code, by the Imperial Romans, notably in the tomb of the Scipios, by classical revival architects in eighteenth century London, which formed the basis for Caslon’s first sanserif typeface in 1. Headline. BERNIER™ Free Typefamily.
Bernier is a small type family created by Ryan Pyae. Bernier has three different styles and it is the perfect font choice for vintage or old school designs. Brayden Font Family.
Brayden Family is a family of script fonts that, taken together, create a variety of choices for an artist or designer. This font family is one of the newer AF Studio offerings. Features include the use of contextual and stylistic alternates, contextual swashes, and ligatures. The glyph panel provides access to an even greater number of alternatives.
Hit the Road. Break Free Font. Break is modern font family designed by Rajesh Rajput and which contains five weights from Bold to Extra.
Light, Uppercase, Lowercase, Numerics and symbols. Kenyan Coffee. Kenyan Coffee is a narrow headline typeface created in 1. In 2. 01. 1, Kenyan Coffee was rebuilt and expanded into a larger font family. Museo. This Open. Type font family, which is one of the top fonts of our time, comes in five weights and offers supports CE languages and even esperanto. Besides ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures MUSEO also has a ‘case’ feature for case sensitive forms.
Neue Helvetica. Optimus Princeps. Proxima Nova. Proxima Nova bridges the gap between typefaces like Futura and Akzidenz Grotesk. The result is a hybrid that combines modern proportions with a geometric appearance. Riesling. Rockwell Extra Bold.
Sling. Steelfish. Steelfish is a condensed headline font family its author created in in 2. The original cut included regular, bold & outline styles. Steelfish was okay but it was in need of a good tuneup to perform well as a web headliner in the 2.
After rebuilding it, its author expanded it into seven weights with italics. The weight of the original Steelfish Bold looks more like the new Steelfish Extra- Bold; keep that in mind if you’re replacing the old one.
Regular, italic, bold, bold- italic, extrabold, extrabold- italic & outline styles are free. With it, as with the rest of the top designer fonts in this article, you can create font designs that will impress your clients.
Top 7 Fonts Used By Professionals In Graphic Design—Although there have been manyothermostused font posts, most of them outline fonts used by the ‘not- so- well- trained’ designer. In this post I want to outline the fonts that are often used by the more ‘professional’ of designers. This article is the third article of four in this series. The Four Part Series. Helvetica. Without a doubt, Helvetica is the most heavily used font by professionals (and also by the not so professional) in graphic design. Although some praise the font, many believe that it is spaced too tightly.
And as Vivien pleas in her 1. Understand that you can’t always rely on Helvetica to illustrate and deliver your every message. Helvetica is not perfect for everyone and every occasion.”2. Trajan. Trajan finds its way into many Hollywood movie posters and anything remotely to do with religion, law, marriage, class or the past. You can check out the flickr pool for more uses of Trajan. A bit of history on the font Trajan… Trajan is an old style serif typeface designed in 1. Carol Twombly for Adobe.
The design is based on Roman square capitals, as used for the inscription at the base of Trajan’s Column from which the typeface takes its name. Garamond. Although there are many versions of Garamond, the most used version today is the Adobe Garamond version (as seen above) released in 1. Garamond is a great font for magazines, textbooks, websites and long bodies of text and was recently named the second best font (after Helvetica) by a German publication.
Futura. Futura is a font that comes up often in large displays, logos, corporate typefaces and in books where small text is needed. It is based on geometric shapes (near- perfect circles, triangles and squares) which became representative of the Bauhaus design style of 1. Futura has an appearance of efficiency and forwardness. Some do hate the font though. Bodoni. Bodoni is a great font for headlines, decorative text and logos. Bodoni has a narrow underlying structure with flat, unbracketed serifs.
The face has extreme contrast between thick and thin strokes, and an overall geometric construction which makes it a very aesthetic looking font. Bickham Script Pro. Used mainly for formal occasions, Bickham Script Pro is a font which does the job well… Cameron Moll even recommended it in his article “Typefaces no one will get fired for using.” The ‘not- so- trained’ designer usually vouches for Vivaldi instead which is one of America’s most hated fonts.
Another great alternative would be Sloop. Frutiger. The Frutiger font family is neither strictly geometric nor humanistic in construction; its forms are designed so that each individual character is quickly and easily recognised.
Such distinctness makes it good for signage and display work and it is often used in Web 2. Logos. The full family has a warmth and subtlety that have, in recent years, made it popular for the smaller scale of body text in magazines and booklets. Close Contenders. Here are some other fonts many ‘professional’ designers use quite often; Gills Sans, FF DIN, Franklin Gothic, Bembo, Rockwell, Avenir, Avant Garde, Mrs. Eaves, Gotham, Sabon, Warnock Pro. Notice that none of these are fonts are downloadable for free?
Still type hungry? Why don’t you check out 3. Fonts All Designers Must Know & Should Own. Do you agree? What other fonts would you add to the list?